Project Élan: Who Are The Writers?

Taking stage from May 5-16 is Project Élan, a brand-new, original, culture-current musical that seeks to shed light on the individual and universal needs of the millennial generation.

Patrons will see more than 60 Summer Musical Theatre Intensive alumni hitting the high notes, showing off their acting chops and putting their best foot forward in this world premiere production! But before this inspiring production takes over The Rep, we wanted to highlight the eight creative minds who worked together to make bring it to Little Rock.

Here they are:

BBBS-NicoleCapri-May1NICOLE CAPRI (Writer/Director/Choreographer)

Resident Director and Director of Education at The Arkansas Repertory Theatre, Nicole Capri is the 2011 recipient of The Governor’s Arts Award for Arts in Education and the author of “Young Artists at The Rep.” Now entering its 10th year, Nicole is also the founder and Director of The Rep’s Summer Musical Theatre Intensive (SMTI) program for young artists – the fastest growing program in the history of The Rep. A theatre, music, writing and dance major at The University of Memphis and The National Theatre of the Deaf Professional Theatre School, Nicole has directed and/or choreographed more than 100 productions. Favorite Rep credits include: Next to Normal, Elf, White Christmas, Children of a Lessor God, The Foreigner, Glorious, Godspell, If you Sing It They Will Come, Review the Revue, That 80’s Show, A Christmas Story and Singin’ on a Star. Other credits include; Eve in The Apple Tree (Fairmount Theatre of the Deaf/Cleveland Playhouse/International Tour), “Best Performance” (First International Theatre Festival, Volgograd, Russia), original company of Ram in the Thicket (Off Broadway/Judith Anderson Theatre), “Critics Choice Award” Mary in The Miracle Play, writer/director for The Arkansas Symphony Orchestra’s 2013 Holiday Fantasy and Director/Choreographer/Editor for the world premiere of Rich Mullins’ original musical Canticle of the Plains.

BOBBY BANISTER (Writer)

The front man of the duo, Cheetah, Bobby has written and recorded six albums of work 6846215277_26453c56e3and numerous singles. Winner of the ASCAP songwriting competition and the rock genre in the Alchemy Songwriting Competition, Bobby’s music has been contracted for licensing for TV shows including “The Real World” and “Keeping up with the Kardashians.” His former band, Half Priced Hearts was named among “Best Unsigned Artists” on Tommy2 blog, recognized by Perez Hilton on his blog and toured the country playing shows with talented artists including: The Rocket Summer, Honor Society, Kaitlyn Tarver and Action Item. A graduate of Belmont University in Nashville with a degree in commercial music and a minor in music business, Bobby is an Arkansas native who now resides in Los Angeles where he is writing songs for major label artists while finishing Cheetah’s debut EP. “Songwriting is part of who I am and always will be. I’m thankful for the opportunity to put my feelings into the songs that just might be the soundtrack to someone’s day.”

ConlywebCONLY BASHAM (Writer)

Arkansas native, Conly Basham, is a singer-songwriter, teaching artist and equity actress who now resides in New York City. Conly has performed in the off-off Broadway theatre scene as both an actor and composer, and recently lead a cast with her original folk-scored production of Twelfth Night selected as part of the 2014 NYC’s Fringe Festival. As a cabaret performer, Conly’s original songs have been heard at such celebrated venues as Birdland Jazz Club, 54 Below and Top of The Rock Conservatory at Rockefeller Center. Rep audiences may remember Conly from her SMTI days or from Rep MainStage productions including: Peter Pan, Gypsy, Les Miserables and Next to Normal.

binns_mark-Web-640x612MARK BINNS (Writer/Music Director)

Originally from Little Rock, Mark is a musical director, singer, pianist, composer, arranger and teacher. At The Rep, Mark is music director for the SMTI program, has served as music director for White Christmas, Les Miserables, Memphis and Elf, and was assistant musical director for The Rep’s three world premieres; Treasure Island, Pal Joey and Because of Winn Dixie. Other music director credits include: The Arkansas Shakespeare Theatre (Joseph, Oliver!, Pippin), The Studio Theatre of Little Rock (The Last Five Years), The Young Actors Guild of Fort Smith (Cinderella), and The Arts & Science Center for Southeast Arkansas (42nd Street, Hairspray). In New York City, Mark was the accompanist for the world premiere of Mark Hayes’ Gettysburg Address and Requiem at The Lincoln Center. Last season, Mark was the vocal director and arranger for The Rep’s Young Artists for The Arkansas Symphony Orchestra’s Holiday Fantasy.

samclarkSAM CLARK (Writer) An engineer by day for CenterPoint Energy, Sam is a musician and performer at heart. Sam was a charter member of The Barbara Mashburn Scholarship Foundation, a vocal jazz ensemble, and regularly performs for open mic nights in Fayetteville and around Arkansas. Sam also was a state-level ranked jazz guitarist and has been playing for more than 10 years. An alumnus of The Rep’s SMTI program, Sam now enjoys playing with the guys in the band. Favorite theatre credits include leading roles in Sweeney Todd, Little Shop of Horrors, High School Musical and Dirty Rotten Scoundrels. Sam is currently working on developing original songs and cover pieces for several shows around the Central Arkansas. http://www.youtube.com/watch?v=amZ_n-emHQw

ROBERT FROST (Writer)

Robert is an SMTI 11150216_10204499465819689_7602150572666660979_nalumnus and is thrilled to be back at The Rep. A graduate of the National Theater Institute, Robert works as a musical director, arranger, writer and director. He currently serves as the Resident Musical Director for The National Musical Theater Institute at The Eugene O’Neill Theater Center. In addition to his work with SMTI, select MD credits include the premiere of Jonah and the Whale: A New Musical (7th House/Guthrie Theatre), Little Shop of Horrors (7th House) and Pig Iron’s James Joyce is Dead and So is Paris (Connecticut College). As a director, Robert recently assisted Hayley Finn for the premiere of The Secret Lives of Coats and has worked in various capacities with The Playwrights’ Center. Robert also serves as one-half of Frosty Bob and J’s Summer Camp, a performance partnership with playwright/performer Justin Caron. Together, they have created Utopiacopia (Director) and STAY WHERE YOU F***ING ARE: A TRIBUTE TO ELAINE STRITCH (Musical Director/Co-Writer). FBJ’s Summer Camp was recently named “Best Performance Art 2014″ by l’étoile Magazine.

JJimmy-Landfair-Music-Inform-Discover-New-Music-New-Music-DiscoveryIMMY LANDFAIR (Writer)

Jimmy is a singer/songwriter and lead guitarist touring with the southern rock band, Bearcat. A songwriting/entrepreneurship senior at MTSU, accepted into the prestigious commercial songwriting program, Jimmy recently released his first solo project EP album “Schoolhouse.” A featured performer at The Arkansas Songwriter Showcase, a lead guitarist with The Arkansas Symphony Orchestra and a jazz guitar protégé of Ted Ludwig of New Orleans, Jimmy is excited to be returning to The Rep to write and perform again with the talented team of Project Élan. Jimmy’s music can be found on iTunes and YouTube.

charity-red-1CHARITY VANCE (Writer)

Charity is a professional singer-songwriter originally from Little Rock, Ark. A SMTI alumnus, Charity got her first big break at Arkansas Repertory Theatre starring as “Annie” at the age of nine. In 2010, at the age of 16, Charity wowed the judges of the hit FOX series “American Idol” with her unique rendition of “Summertime.” She continued her pursuit of music, writing and performing and is now living in Los Angeles where she is working to complete her next original music project and focusing on her YouTube Channel – /charityvancemusic.

Seats are $30 and $25 for season subscribers. Get your tickets by clicking here or calling the Box Office at (501) 378-0405! Get more information on the blog here.

Project Élan: Q&A with Creator/Director Nicole Capri

Photo courtesy of Sync Weekly

Photo courtesy of Sync Weekly

Before the 39th MainStage Season comes to an end, The Rep is excited to showcase a world premiere show– young artist production Project Elan.

Taking stage from May 5-16, Project Élan is a brand-new, original, culture-current musical that seeks to shed light on the individual and universal needs of the millennial generation. Digital and uniquely undefinable, this generation seeks to find answers in an unpredictable world. And although they may appear to be an age overrun by technology and isolation, their dreams are timeless. The millennial generation still longs for the most basic of human needs – safety, hope and love.

I recently had the chance to talk with creator and director Nicole Capri, The Rep Resident Director and Director of Education, about the inspiration behind the show, what it’s about, songs to look out for and more! Here is what she had to say:

Q: What is Project Élan about?

A: Project Élan is a brand-new, original, culture-current musical about the millennial generation – how they connect and relate to each other, their relationships, their hopes, their dreams, their fears and how technology has changed the way they interact with the world and the people around them.

Philosophers have predicted and many people now fear that today’s youth are being overrun by technology and isolation, but the dreams they have are timeless. The millennial generation still longs for the most basic of human needs – safety, hope and love.

The writers of Project Élan hope to shed light on the individual and universal needs of a uniquely undefinable generation, and a growing digital industry that impacts all of us.

Q: What gave you the inspiration to create Project Élan?

A: I’ve wanted to create an original musical for years, but I wanted to have something significant to say and I knew I needed the right creative team of collaborators to make it happen.

A few years ago, I had been journaling for several months about technology and how it was affecting the young artists I work with. As an acting coach and director, my job is to teach young artists how to authentically communicate and connect with their audience – and more importantly – with each other. Over the years (as technology has boomed and everyone now has a cellphone in their hand), I have found my job to be more difficult. We’re all so over-committed– attention spans are so much shorter and I’ve often wondered if the ability to connect face-to-face would one day become a lost art form.

Without disparaging the growth or the use of technology, I wanted to pose several questions:

  • With so much connectivity around us, are we now entering a dark age of genuine, authentic relationships?
  • Are we allowing technology to cause us to withdraw from the people around us and those that we love the most?
  • or… Is our world simply projectelanbeing redefined?

The word ‘élan’ means – to live with passion and reckless abandon, to live in the moment and to live each day as if it were our last. I wondered if I was living my own life just trying to get through the next project or scratch the next thing off my ‘TO DO’ list. I felt as though I was living a life where I was ‘glorifying the idea of being busy.’ I was tired… and I wanted more ‘life in my life.’ Something had to change.

I finally felt like I had something significant to say.

While in New York City auditioning actors for The Rep’s production of White Christmas, my music director, Mark Binns, and I went to see the musical Once on Broadway. We both looked at each other at the end of the show and said almost simultaneously, ‘We need to write a musical.’ It was kismet. That was in the fall of 2011.

Q: How long have you been working on this original show?

A: Our team of song writers began working together in the fall of 2012. The writers are from all over the country now, so we gathered together for the first time for a week in the home of Susan and Herren Hickingbotham’s. We felt like a band of gypsy artists, sprawled out all over their living room, singing and writing and occasionally taking naps. They fed us and would come down and encourage us and listen to our latest lyrics and creations. They were definitely our biggest supporters throughout this whole project – tangibly and spiritually.

We’ve rarely all gotten to be together in the same place since then… we’ve done a lot of writing over the phone and via Skype. We had a week together in Nashville before Bobby and Charity moved to Los Angeles. Conly and I have had long coffee-shop talks when I go to cast in NYC. And we camped out again for another week at the Hickingbothams on the home-stretch finishing the final touches of the latest script. The songs and storylines have changed and evolved over time and the way we collaborate and interact has become stronger and more exciting. When we first began over two years ago… we were trying to figure out how we all work, dream and create. Now that we understand eachother’s creative rhythms better, it’s been easier to focus more on fine-tuning the storyline and streamlining the rough edges of the show. The final puzzle piece of the show is our project/stage manager, Beth Thiemann. Without her, none of this would have been possible.

Q: What will be patrons be able to expect from the show?

A: We hope that our audiences will leave our show asking questions.

We hope that our audiences will leave our show with a renewed desire to spend tangible, touchable time with the people that they love.

We hope that our audiences will leave our show with hope.

When we work-shopped the original idea for Project Elan two summers ago, one parent remarked that she ‘felt like she got a window into her kids world.’ Interestingly… during the rehearsal process, so many of the cast members said they felt that they understood their parent’s generation so much more after participating in the creation of the piece.

Maybe there is a type of ‘generation connector’ in Project Elan? Or even just a reminder that life is too short to continue trying to live it as fast as possible.

If nothing else, we hope that our audiences will feel that we have moved them and enriched their lives in some small way.

Q: Song that patrons should look out for?

A: The show has such a diverse musical score with original songs from almost every genre of music. This is not your typical ‘Broadway book musical.’ The music you will hear will be more like what you would find on the radio – contemporary-alternative, acoustic-folk, urban-rock, indie-pop, Nashville-sound and progressive-Broadway.

Those who saw the original workshop will also hear two brand-new pieces and some big changes to familiar songs.

I’ve been asked several times what my favorite songs are from the show… it’s hard to decide and it changes daily. They’re all so different, but the one that haunts me most and gives me the most hope is one written by Conly Basham. The title is ‘Morning Song’ and it sounds like something you might hear on a soundtrack from ‘Lord of the Rings.’ Some of the lyrics are:

SOMETIMES WE LAUGH, WE FLY WE DANCE.

A CHANCE FOR EACH – FOR EACH, A CHANCE

STILL MOONS WILL GLARE AND NIGHTTIME CRAWL.

STEP OUT OF DARKNESS INTO ALL

THE LIGHT OF MORNING

Q: What was the best part of the writing process for the musical?

A:

  1. Creating a beautiful piece with my favorite collaborators in the world who amaze me with their talents every single day
  2. Creating a piece from scratch with young artists who shared their lives and their hearts to create the book of the show
  3. Watching a show that was only a glimmer of an idea several years ago come to life in front of a live audience
  4. (always my answer) Watching my parents watch one of my shows.

And finally… on the front page of my journal in 2006… I wrote ‘What will be my legacy? How will they remember me?’ I always thought that would make great lyrics to a song. I shared that with Binns and he turned those two sentences into the opening number of the show. It always amazes me how one small idea can come to life in a way that I couldn’t even begin to imagine. That is the art of synergy and collaboration, and that is the rarity of working with artists who are not only amazingly talented, but people who understand your heart, your passion and your vision. Two sentences scribbled on the front of a notebook almost 10 years ago became a fully orchestrated number for 60-plus people. All I had to do was share that one idea with the right person. It’s an amazing thing if you think about it.

How did you select the writers of the show?

A: Conly Basham and I have been saying for almost 10 years that we should write a show together. She was the one who introduced me to Mark Binns four years ago. They have such a positive and uniquely indescribable chemistry. I’ve never seen two people create so seamlessly together. I knew that anyone else we added to the mix needed to be a positive energy force, but we also wanted interesting diversity. Other elements that were really important to us were people who understood the mission and honor code we try to instill in the young people we teach, and interestingly… we all share a love for Christ. It wasn’t really planned that way, but it is a powerful and prayerful group of people to collaborate with.

It almost seemed effortless in choosing the other members of our team; Bobby Banister who now lives in LA and is doing a ton of producing and writing, Charity Vance who was an SMTI alum who got her big break on ‘American Idol,’ Jimmy Landfair (who became involved in the program through his younger sister Julia) who is writing and touring out of Nashville, Robert Frost was another SMTI alumni who is an amazing writer/composer who is now the music director at The Eugene O’Neill Theatre and Sam Clark – an SMTI alumni and local singer/songwriter. We call Sam the ‘normal one’ in our group. Sam is an engineer by day and we all secretly hope that he will be the one to support us one day.

It’s a great group of people. There are times when everything works and clicks and obviously there are times when we don’t agree, but ultimately… we are all committed to the project and the message which we believe is a message of hope.

Is there anything else that you would like to add?

A:This is the show you won’t want to miss. This is the game-changer for The Rep and for this program.

Seats are $30 and $25 for season subscribers. Get your tickets by clicking here or calling the Box Office at (501) 378-0405! Get more information on the blog here.

Project Elan: Behind the Music with Mark Binns and Conly Basham

The world premiere of young artist production Project Elan is getting ready to take center stage and to get ready, we would like to showcase an integral part of the show: the fabulous music!

We recently had the chance to talk with the musical director/writer Mark Binns and writer Conly Basham and we were amazed by the heartfelt opening song of the show. Watch a sample of the song and learn more about this original production conceived and directed by The Rep Resident Director and Education Director, Nicole Capri!

The show will run May 5-16 and tickets can be purchased at TheRep.org or by calling the Box Office at (501) 378-0405!

World Premiere of Young Artist Production Project Elan to Take Rep Stage in May

projectelanNow that Mary Poppins has taken flight and ended its run Sunday, Arkansas Repertory Theatre is gearing up for its next production– a world premiere that will be performed by Summer Musical Theatre Intensive program alumni.

Taking stage from May 5-16, Project Élan is a brand-new, original, culture-current musical that seeks to shed light on the individual and universal needs of the millennial generation. Digital and uniquely undefinable, this generation seeks to find answers in an unpredictable world. And although they may appear to be an age overrun by technology and isolation, their dreams are timeless. The millennial generation still longs for the most basic of human needs – safety, hope and love.

Conceived and directed by The Rep’s Resident Director and Director of Education, Nicole Capri, Project Élan is written by Capri and seven SMTI alumni and staff including: Bobby Banister; Conly Basham; Mark Binns; Sam Clark; Robert Frost; Jimmy Landfair; and Charity Vance. The production, which opens on the 10-year anniversary of The Rep’s Summer Musical Theatre Intensive (SMTI) program, features approximately 50 of the best past and present alumni from the last decade of the program.

The musical features a diverse musical score with original songs from almost every genre of music – contemporary-alternative, acoustic-folk, urban-rock, indie-pop, jazz-fusion, Nashville-sound, progressive-Broadway and sunshine-pop.

The word “élan” – is defined in several ways — “to live in the moment,” “to live with reckless abandon and enthusiasm,” “confidence,” and “spirit.” The writers of this piece seek to produce a relevant and relatable musical that speaks to the heart of all generations.

Here is a rundown of the performances:

  • 7 p.m. Tuesday-Friday, May 5-8
  • 2 p.m. & 7 p.m. Saturday, May 9
  • 2 p.m. Sunday, May 10
  • 7 p.m. Thursday-Friday, May 14-15
  • 2 & 7 p.m. Saturday, May 16

Seats are $30 and $25 for season subscribers. Get your tickets by clicking here or calling the Box Office at (501) 378-0405!

Behind the Curtain Q&A: Resident Director and Director of Education Nicole Capri

With the 2014-2015 MainStage Season in full swing, we want to showcase the people behind the Rep stage in a series called “Behind the Curtain.” This weekly Q&A series highlights staff members who keep the Arkansas Repertory Theatre running on a daily basis.

Someone who directs not only our Young Artist program (including the Summer Musical Theatre Intensive), but also directs shows through the season, like the upcoming production of Elf– is Resident Director and Director of Education Nicole Capri.

WIN FOUR REPSHere is what she has to say about her theatre experience here at The Rep:

How long have you worked at The Rep? 12 years

Education/Training: Theatre, Dance and Music at the University of Memphis– attended college on an Orchestral Music scholarship (viola) but was received her Bachelor of Fine Arts in Musical Theatre;  Professional theatre school at The National Theatre of the Deaf in Chester, Conn.

How’d you get into the theatre biz: My first play was Peter Rabbit. I was about five years old and I played the Cottontail Rabbit. My mom and dad asked me afterward if I wanted to be an actress and I said, ‘No… I want to be the director.’

Why your job rocks: I love conceiving, writing, casting and directing projects from start to finish, but the best part is working with young people and watching them embrace the process of ‘removing their Saran Wrap’ to become vulnerable and authentic. I teach my young artists that ‘their job as actors is to spread joy.’ The development and discovery process of young people is the most exciting part of my job.  My job is simply to love them, and their job is to learn to not only love and accept each other, but to learn how to love and appreciate themselves. Watching young actors take risks (painful and exhilarating), helping them to realistically identify their strengths and weaknesses and work to achieve attainable goals is the most rewarding part of my entire career.  I’ve seen kids from our SMTI training program go on to attend the best theatre schools in the country and become working professionals as actors, dancers, musicians, filmmakers, directors and teachers, but I’ve also seen our alumni use the skills they’ve learned at The Rep to become better doctors, and political activists and military officers and moms and dads.  My job and this program is about building confidence, building relationships, building a community that is solid and socially aware and most importantly, friendships and ‘safety-nets’ that will last a lifetime. Theatre can be a self-realizing and a healing art, and the more I work in this business, the more I realize that the main part of my job is to authentically love the people I coach and direct and to encourage young people learn how to trust and authentically love each other.

Best work day ever: Hmmmm… it’s so hard to choose.  There have been so many.  But the first thing that comes to my mind is in 2005 during our first SMTI tech rehearsal.  One of my first students, Hannah Eakin, (who ten years later is still my ‘adopted daughter’) sang ‘By My Side’ with the entire cast on stage. It was beautiful. Heart-felt. And I was genuinely moved.  It was at that moment that I think I realized that we really had something special here.  And it was at that moment I believe I finally embraced what I was really called to do with my life.

Favorite Rep show you’ve worked on and why: Professional show?  Probably Next to Normal. Young artist’s show?  It would probably be a toss-up between Singin’ on a Star (which was based on my journal as a struggling actress in my 20s) and the original musical my friends and I work-shopped last summer that will have a two-week run in the spring of 2015. Project Elan is a brand-new musical written by seven SMTI alumni and staff, including Bobby Banister, Conly Basham, Mark Binns, Sam Clark, Robert Frost, Jimmy Landfair, Charity Vance and myself.  This is a project that is so close to my heart and that I have huge hopes will have a life beyond The Rep’s stage. For more information, go to www.projectelan.com

One thing people would be surprised about your job:  My job is not glamorous… and for every one person I make ‘happy,’ I probably disappoint at least 10.  My job is not 9 to 5 and it’s definitely more sweaty than you could imagine.  I wear sweatpants, sneakers and a baseball cap more than dresses and heels.

Favorite seat in the house: I love every seat in the house.  The theatre is so intimate and no one is ever more than 40 feet away from the stage.  But when I’m directing, I sit in a different place all the time because I want to see my show from every angle.  Many times, I will drop by my show when it’s in a long run to ‘check in.’ You can see me leaning up against the back post on the house-left side of the theatre because I love to watch the audience watch my shows.

Best job perk: There are so many great things about my job— but the biggest job perk is what makes my job possible – my boss (but please don’t tell him because I always tell him that he’s ‘not the boss of me’). The thing I appreciate the most about working for Bob is that he seems to get how my brain works and encourages me to work in a way that allows me to be my most creative and productive (which is usually between 10 and 2 in the middle of the night). I’ve never been good at sitting at a desk and I’m too ADD to write in an environment with lots of distraction.  But working for him, I never feel like I’m punching a time-clock when I’m creating or writing a new piece. I am evaluated on my product rather than my crazy (sometimes unconventional) process.  I am praised for my efforts and listened to when I come to him with new ideas. I love working for an artist who understands the creative process.  Bob offers constructive criticism and never makes me feel micro-managed.  I am empowered and encouraged to do my best work. It’s an artist’s dream job.

Be sure to check back every week to get a glimpse at a different member of The Rep staff. Buy your tickets to Elf here!

A Note from Director Nicole Capri on The Rep’s Young Artists Production “That 80s Show”

Since 2005, I’ve seen hundreds of aspiring young artists graduate through our program to attend some of the best theatre training programs and universities in the country, become professional recording artists, star in films and national tours, earn their actor’s equity card on The Rep’s stage and become teachers, choreographers, directors, actors and working artists in the competitive field of performing arts. Our SMTI staff has tripled, our casts have quadrupled and our Young Artist’s Guild and “family fan club” is the biggest and best around.

Photo by David Knight, George Elrod and Elizabeth Wheeler sing "Video Killed the Radio Star" in Arkansas Repertory Theatre's Young Artist Production "That 80s Show."

But as educational programming continues to grow and expand, I believe it’s so important to remember where we came from.  It is not my life’s goal to create the biggest program in the country, but it is my dream to create one of the best.  That’s why it’s so important that we retain our sense of family, our integrity and our dedication to growing healthy, working young artists and genuinely good human beings.  My staff and I are committed to one thing above all else – loving and nurturing the young artists and creating a safe, professional environment to learn, grow and express themselves with tough and unconditional love.  This is our promise. This is our charge.

A huge thanks to The Young Artist’s Guild for their tireless hours of service, and for their commitment to award an ever increasing number scholarships to SMTI as well as university study each and every year. Special thanks to our SMTI scholarship sponsors Career Staffing Services and The Rebsamen Fund and to the Stover Family, the Brittain Family, the Boyd Family, the Aitken/Carey Family, Rene Julian and Wendy Brandon for their financial support of this year’s show.  Lastly, my love and thanks to the staff, crew and cast of THAT 80’s SHOW for making this year’s production one of the best one’s yet!

Photo by David Knight, Marina Redlich and Samantha Kordsmeier performing "True Colors" in Arkansas Repertory Theatre's Young Artist Production "That 80s Show."

Nicole Capri is the 2011 Governor’s Arts in Education Award recipient. As Resident Director and Director of Education,  Nicole began her professional theatre career as an intern at The Rep in 1988. Almost twenty years later, she returned to The Rep as Resident Director and Director of Education. Now in its 7th successful year, Nicole is also the founder and director of The Rep’s Summer Musical Theatre Intensive training program for young artists – the fastest growing program in the history of The Rep. A theatre, music and dance major at The University of Memphis and The National Theatre of the Deaf’s professional theatre school, Nicole has directed and/or choreographed more than 100 productions. Favorite credits include; The Rep’s productions of Children of a Lessor God, The Foreigner, Glorious and A Christmas Story, Eve in The Apple Tree (Fairmount Theatre of the Deaf/Cleveland Playhouse/International Tour), “Best Performance” (First International Theatre Festival, Volgograd, Russia), Ram In The Thicket (Off Broadway/Judith Anderson Theatre), “Critics Choice Award” Mary in The Miracle Play and Director/Choreographer/Editor for the world premiere of Rich Mullins’ Canticle of the Plains. However, Nicole’s favorite credit to date is working with the amazing and talented young artists at The Rep!